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Neil Gaiman, The Graveyard Book (2008) Elena Gan , Society's Judgement (1840) Vsevolod Mikhailovich Garshin, The Red Flower (1883) Elizabeth Gaskell, The Doom of the Griffiths (1858), The Grey Woman and Lois the Witch; Theophile Gautier, The Mummy's Foot (1863) Charlotte Perkins Gilman, The Yellow Wallpaper (1892)
[80] However, since the mid-1980s, Russian gothic fiction as a genre began to be discussed in books such as The Gothic-Fantastic in Nineteenth-Century Russian Literature, European Gothic: A Spirited Exchange 1760–1960, The Russian Gothic Novel and its British Antecedents and Goticheskiy roman v Rossii (The Gothic Novel in Russia).
The John Rylands Research Institute and Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England.It is part of the University of Manchester. [4] The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands. [5]
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet.Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1]
Minerva Press was a publishing house, notable for creating a lucrative market in sentimental and Gothic fiction, active in the late 18th and early 19th centuries (1790-1820 [1]). [2] It was established by William Lane (c. 1745–1814) at No 33 Leadenhall Street, [3] London, when he moved his circulating library there in about 1790. [2]
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