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A (E major) → B (C major) → A (F major) → C (D minor) → A (E major) Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A ...
Twenty-four extant sonatas and sonata fragments are listed in the 1978 version of the Deutsch catalogue: D 154, Piano Sonata in E major (1815, fragment; similarity with the first movement of the Piano Sonata in E major, D 157) I. Allegro (fragment) D 157, Piano Sonata in E major (1815, unfinished – first three movements are extant)
Legend to the table column content 1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951) [2]: 2 D utd most recent (utd = up to date) Deutsch catalogue number; [3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the ...
Note that in Schubert's lifetime "Fantasie" (Fantasy) and "Sonate" (Sonata) had a somewhat overlapping meaning: by convention the Wanderer Fantasy was never numbered as a sonata, while D 894, first published as a Fantasie, always was. Other columns in the table: Op.: Opus number, "(p)" or "posth." indicates a posthumous publication.
In music, the three-key exposition is a particular kind of exposition used in sonata form. Normally, a sonata form exposition has two main key areas. The first asserts the primary key of the piece, that is, the tonic. The second section moves to a different key, establishes that key firmly, arriving ultimately at a cadence in that key.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
D. Scarlatti – Keyboard Sonata K. 206 (L. 257) in E [23] D. Scarlatti – Keyboard Sonata K. 297 (L.S. 19) in F [22]: 166 Scriabin – Mazurka in F (1889) Schubert – Impromptu Op. 90 No. 2 in E ♭ [24] Schubert – Moment Musical No. 6 in A ♭ (ends on an open octave in an A ♭ minor context) [25] Schubert – Am Bach im Frühling, D ...
Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1 tes Werk" (first work) in 1821.The Lied, composed by Schubert in 1815, was later adopted along with its prior versions as No. 178 in Series XX, Vol. 3 of the AGA (1895), and in Series IV, Vol. 1 of the NSE (1970).