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The unpainted windows and stairway banister have natural wood finishes that have darkened over time. The doors, stairway panels below the railing, and dining room wainscoting have the same 19th century oak graining. The wallpapers, picture railings, period furnishings, and potted ferns are in the same style as the Victorian features of the ...
Squeak piggy squeak is a parlour game that is sometimes called grunt piggy grunt, or oink piggy oink.It is a variation of blind man's buff [1] and was popular in the Victorian era.
The basic forms of writing table, the drop-front desk and cylinder desk had all appeared in the furniture of Louis XV, but their appearance became more classical, geometric and sober under Louis XVI, and the quality marquetry inlays became much finer. The writing tables varied in size, but had leather tops, tapering legs, and usually three drawers.
The tilt-top tea table on a tripod was first made during the "Queen Anne" (in reality George II) period in the 1730s. [16] Queen Anne eventually was eclipsed by the later Chippendale style; late Queen Anne and early Chippendale pieces are very similar, and the two styles are often identified with each together. [17] [18] [19] [20]
Mission style is a design that emphasizes simple horizontal and vertical lines and flat panels that accentuate the grain of the wood (often oak, especially quartersawn white oak). People were looking for relief after the excesses of Victorian times and the influx of mass-produced furniture from the Industrial Revolution. [2]
Central-passage house evolved primarily in colonial Maryland and Virginia from the hall and parlor house, beginning to appear in greater numbers by about 1700. [1] [2] It partially developed as greater economic security and developing social conventions transformed the reality of the American landscape, but it was also heavily influenced by its formal architectural relatives, the Palladian and ...
The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
Whether from any of these causes or from purely commercial ones, what became part of the Elizabethan furniture style was the top-heavy and overloaded Dutch cabinet and the table with big columnar legs capable of upholding mighty serving dishes, and both covered with Flemish ornament.
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