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During the Elizabethan era, people looked forward to holidays because opportunities for leisure were limited, with time away from hard work being restricted to periods after church on Sundays. For the most part, leisure and festivities took place on a public church holy day. Every month had its own holiday, some of which are listed below:
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music.
Shakespeare's work has made a significant and lasting impression on later theatre and literature. In particular, he expanded the dramatic potential of characterisation, plot, language, and genre. [210] Until Romeo and Juliet, for example, romance had not been viewed as a worthy topic for tragedy. [211]
The four tragedies considered to be Shakespeare's greatest (Hamlet, Othello, King Lear and Macbeth) were composed during this period. Comedies were common, too. A subgenre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy.
Shakespeare also used groundlings widely in his plays. The use of groundlings "saved the drama from academic stiffness and preserved its essential bias towards entertainment in comedy". [24] Hamlet is an outstanding example of "groundlings" quickness and response. [24] Use of groundlings enhanced Shakespeare's work practically and artistically.
This is because when Shakespeare was writing for the early modern stage, young. Curious Kids is a series for children of all ages. If you have a question you’d like an expert to answer, send it ...
~1600: William Shakespeare refers to ship biscuits in As You Like It, more resembling modern crackers. [69] 1605: References to puff pastry, made by placing butter between sheets of rolled dough. [69] 1605: References to rolled wafers. [69] 1606: Goldwasser, a gold-infused liqueur and progenitor of Goldschläger, first created in Poland.
The above tables exclude Shakespeare's Titus Andronicus (composed c. 1589, revised c. 1593), which is not closely based on Roman history or legend but which, it has been suggested, may have been written in reply to Marlowe's Dido, Queene of Carthage, Marlowe's play presenting an idealised picture of Rome's origins, Shakespeare's "a terrible ...