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Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote more than 500 pieces.With his unconventional rhyming schemes, he was declared by The New York Times to be the country's best-known producer of humorous poetry.
Khedrup Gelek Pelzang, 1st Panchen Lama (1385–1438 CE) – better known as Khedrup Je – was one of the main disciples of Je Tsongkhapa, whose reforms to Atiśa's Kadam tradition are considered the beginnings of the Gelug school of Tibetan Buddhism.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Thomas Nashe (baptised 30 November 1567 – c. 1601; also Nash) was an Elizabethan playwright, poet, satirist and a significant pamphleteer. [ 1 ] : 5 He is known for his novel The Unfortunate Traveller , [ 2 ] his pamphlets including Pierce Penniless , and his numerous defences of the Church of England .
Haiku – form of short Japanese poetry consisting of three lines. Instapoetry; Tanka – classical Japanese poetry of five lines. Lied – Limerick – a kind of a witty, humorous, or nonsense poem, [3] especially one in five-line anapestic or amphibrachic meter with a strict rhyme scheme (aabba), which is sometimes obscene with humorous ...
The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text [ 1 ] in the New Critical school of literary criticism . The title contains an allusion to the fourth stanza of John Donne 's poem, " The Canonization ", which is the primary subject of the first chapter of ...
Cleanth Brooks identifies the heresy of paraphrase in the eponymous chapter from The Well Wrought Urn, a work of the New Criticism. [1] [2] [3] Brooks argues that meaning in poetry is irreducible, because "a true poem is...an experience rather than any mere statement about experience or any mere abstraction from experience."
Ann Waldman describes this poetry form: the doha , a song of realization that acknowledges an encounter with a master teacher, traditionally a guru or lama, and explores a particular wisdom or teaching transmitted through a kind of call-and-response duet format.