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Hát tuồng (Vietnamese pronunciation: [háːt tûəŋ], Chữ Nôm: 咭從) or hát bội (Vietnamese pronunciation: [háːk ɓôjˀ], Chữ Nôm: 咭佩) [1] is a form of Vietnamese theatre. Hát tuồng is often referred to as classical " Vietnamese opera " influenced by Chinese opera .
Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Chèo belongs to the genre of drama, with ancillary music including rhythmical music, evocative music, background music, and dance music. Hát chèo's is the stage singing, it can be sung by one person or many people on chorus. The melody of the Chèo tune is very suitable for the Vietnamese natural voice language.
A noted cải lương singer, Ngọc Huyền Popular artist Mộng Tuyền performs the leading role in a Cải lương Presentation Tuồng cải lương (Vietnamese: [tûəŋ ka᷉ːj lɨəŋ], Hán-Nôm: 從改良) often referred to as Cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam.
Chèo orchestra accompanies the performance of water puppetry. Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building ...
Their characters also lived on in various theatrical forms such as Chèo, Tuồng, Cai luong, dialogue, and even poetry. In the former French Protectorate of Cambodia, Neay Koy and Neay Krom is a comic duo which is a Khmer equivalent. "Neay" refers to a small village chief and the Koy and Krem similarly refers to their clumsiness.
Tuong may refer to: . Tuồng, classical Vietnamese theatre or "Vietnamese opera"; Tương, term used for various sauces and pastes used in Vietnamese cuisine; Xiang Commandery (Chinese: 象郡) or Tượng Commandery, a commandery from 214–76 BC under the Qin, Nanyue (Nam Việt), and Western Han dynasties, likely in northern Vietnam and parts of southern China
He made significant contributions to the research, preservation, development, and promotion of the art of tuồng. His daughter is the poet Ý Nhi. He was an academic authority on tuồng drama, [1] in addition to setting new works such as a tuồng version of Pierre Corneille's Le Cid with Jean Claude Bourbault. [2]