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It should only contain pages that are Floating Points albums or lists of Floating Points albums, as well as subcategories containing those things (themselves set categories). Topics about Floating Points albums in general should be placed in relevant topic categories .
TheNewReview.net gave the album a glowing review, stating that "Self Preserved While the Bodies Float Up finds Oceansize scaling back the grandiose in favour of more streamlined, accessible material and the music presented is all the better because of these alterations.... emotions are more exposed, variation is better explored, and the songwriting is increasingly dynamic on the group’s ...
The previous Floating Points album, Crush, was released in 2019. [6] For Pharoah Sanders, Promises was the only studio album he released in over a decade, [2] before his death the next year. [7] Sanders became aware of Shepherd's work in 2015 when he was impressed by the debut Floating Points album Elaenia. Sanders was 75 years old at the time.
Hi-N-Dry eventually won the case in court, but with no money left to promote the album, it went nearly unnoticed when it was finally released in 2004. [ 4 ] According to Paste magazine, " Sandbox frequently extends beyond Morphine’s core sound" – blues and jazz elements combined with rock (2-string slide bass, saxophone and drums ...
The album went on to be named the NME album of the year at the end of 1997, beating other critically acclaimed albums such as Radiohead's OK Computer and the Verve's Urban Hymns. [36] Select and Vox named Ladies and Gentlemen the second best album of the year, [ 37 ] [ 38 ] while Melody Maker and The Face named it the fifth best.
Live Floating Anarchy 1977 is a 1978 live album by Planet Gong, a combination of Gong's Daevid Allen and Gilli Smyth and the band Here & Now.It was recorded in Toulouse on 6 November 1977, apart from the track "Opium for the People" which was a studio recording.
In that publication's 1995 album guide, they rated Sandbox a 1 out of 5, stating that the band deviated from their lo-fi music roots after performing with R.E.M. [3] In 1995, frontman Robert Pollard called this album "an attempt to make a huge power-pop record for less than a thousand dollars." Meanwhile, journalist David Sprague reported that ...
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