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The Best of the Outlaws: Green Grass and High Tides is a sixteen-track compilation album by American southern rock band Outlaws. It was released in 1996 and features all their major hits, including the Rock Band -featured southern rock epic " Green Grass and High Tides ".
Outlaws is the debut studio album by American southern rock band Outlaws, released in 1975.The album is known for the rock classic "Green Grass & High Tides", which is considered by many to be one of the greatest guitar songs, plus the hit single "There Goes Another Love Song".
It should only contain pages that are Outlaws (band) albums or lists of Outlaws (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Outlaws (band) albums in general should be placed in relevant topic categories .
Lady in Waiting is the second studio album by American southern rock band Outlaws, released in 1976.(See 1976 in music) The album is known for featuring a cover version of "Freeborn Man" (previously recorded by Keith Allison and Paul Revere & the Raiders), which the band popularized and which eventually became a concert favorite.
The Outlaws earned its place in music history by becoming the first country album to be platinum-certified, reaching sales of one million. [1] The album quickly reached No. 1 on the country charts and peaked at No. 10 on the pop charts, with two hit singles released, "Suspicious Minds" and "Good Hearted Woman." The two peaked at No. 2 and No. 1 ...
Bring It Back Alive is a live album by American southern rock band Outlaws, released in 1978.It was released as a double album, and later re-released as a single CD.The album is best known for the twenty minute-long rendition of the song "Green Grass and High Tides" from the band's debut album.
"There Goes Another Love Song" is a song by the American Southern rock band Outlaws. Written by Hughie Thomasson and Monte Yoho, it is the opening track and lead single from the band's 1975 debut album Outlaws. It became a top 40 hit, peaking at number 34 on the Billboard Hot 100, and at number 30 in the Netherlands in November 1975. [1]
The Miami New Times praised the "soaring harmonies and searing guitar solos that refuse to fall into cliche," writing that "Thomasson's vocals sound as potent and full of meaning as ever." [ 7 ] AllMusic wrote that the album "manages to be an impressively lean and rockin' album—cut directly from the unmistakable Southern rock cloth."