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The Lobster is a 2015 absurdist black comedy drama film directed and co-produced by Yorgos Lanthimos, from a screenplay by Lanthimos and Efthimis Filippou. [5] [6] [7] It stars Colin Farrell, Rachel Weisz, Jessica Barden, Olivia Colman, Ashley Jensen, Ariane Labed, Angeliki Papoulia, John C. Reilly, Léa Seydoux, Michael Smiley, and Ben Whishaw.
Yorgos Lanthimos (/ ˈ l æ n θ ɪ m oʊ s /; Greek: Γιώργος Λάνθιμος [1] [ˈʝorɣos ˈlanθimos]; born 23 September 1973) is a Greek filmmaker.He has received multiple accolades, including a BAFTA Award, as well as nominations for five Academy Awards and a Golden Globe Award.
This is a list of awards and nominations received by Yorgos Lanthimos.. Lanthimos is a Greek film and stage director, producer, and screenwriter. He received three Academy Award nominations for Best Original Screenplay for The Lobster (2015) and Best Picture and Best Director for The Favourite (2018) and Poor Things (2023).
Dalí had already introduced the lobster as an erotic symbol in his 1936 surrealist object “Lobster Telephone,” and the following year, Schiaparelli offered him a new kind of blank canvas ...
The website's consensus reads: "The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak — and demonstrates again that his is a talent not to be ignored." [23] Metacritic, which uses a weighted average, assigned the film a score of 73 out of 100, based on 45 critics, indicating "generally favorable ...
South L.A. will lose a treasured Black-owned restaurant with the closure of Post & Beam, but husband-and-wife owners John and Roni Cleveland say it will continue in a new form.
Chrissy D Lobster Company is part of the 9-13 Water St. property in Kittery, Maine, where Warren's Lobster House is located. A revised proposal to redevelop the property calls for a new lobster pound.
The following year, Bakatakis served as director of photography for the drama film Porfirio, directed by Alejandro Landes. The film premiered at the 2011 Cannes Film Festival. [8] Jeannette Castoulis of The New York Times echoed Scott in her review of the film, noting Porfirio 's "fixed camera" that "stares unblinkingly". [9]