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Dolby AC-3 (a backronym for Audio Codec 3, Advanced Codec 3, or Acoustic Coder 3), also known as ATSC A/52 (name of the standard) [18] or simply Dolby Digital (DD), is the common version containing up to six discrete channels of sound. Before 1996 it was marketed as Dolby Surround AC-3, Dolby Stereo Digital, and Dolby SRD. [19]
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4 , is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
However, Dolby Digital Plus is a functional superset of Dolby Digital, and decoders include a mandatory component that directly converts (without decoding and re-encoding) the Dolby Digital Plus bitstream to a Dolby Digital bitstream (operating at 640 kbit/s) for carriage via legacy S/PDIF connections (including S/PDIF over HDMI) to external ...
Dolby Surround Pro Logic is the full name that refers to the matrix surround format and decoding system in one. When a Dolby Surround soundtrack is created in post-production (Dolby MP Matrix), four channels of sound are matrix-encoded into an ordinary stereo (two-channel) soundtrack.
Dolby AC-4 has a consumer royalty rate of US$0.15 to US$1.20 depending on the type of device and volume of sales. [8] Dolby only charges for one technology per device, which means that Dolby AC-4 effectively costs nothing in devices that include existing Dolby technologies such as Dolby Digital Plus. [ 8 ]
An SWC file is a package of precompiled Flash symbols and ActionScript code that allows a Flash or Flex developer to distribute classes and assets, or to avoid recompiling symbols and code that will not change. [1] [2] SWC files can be generated by the Adobe Flash Professional authoring tool, and by Flash Builder (or its companion compiler ...
Apophasis (/ ə ˈ p ɒ f ə s ɪ s /; from Ancient Greek ἀπόφασις (apóphasis), from ἀπόφημι (apóphemi) 'to say no') [1] [2] is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. [3] Accordingly, it can be seen as a rhetorical relative of irony ...