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Museum of Modern Art (New York. N.Y.) Oil on canvas 81.2 x 116.4 cm Portrait of Paul-Gustave van Hecke [40] 1928 Oil on canvas 65 x 50 cm The Lovers [41] 1928 The Museum of Modern Art; Gift of Richard S. Zeisler Oil on canvas 54 x 73.4 cm Literal Meaning II [42] 1929 Menil Collection (Houston. Tex.) Oil on canvas 73 x 54 cm Literal Meaning IV ...
The original painting was completed in 1929 and is part of the collection at the Museum Boijmans Van Beuningen in Rotterdam. [1] A second version was commissioned in 1937 by Magritte patron Edward James. [2] For this version, the orientation was changed from horizontal to vertical leading to an increase in the area of the room depicted.
The Human Condition (La condition humaine) is the title of four paintings by the Belgian surrealist René Magritte.One was completed in 1933 and is in the collection of the National Gallery of Art in Washington, D.C. [1] Another one was completed in 1935 and is part of the Simon Spierer Collection in Geneva, Switzerland. [2]
René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
The Treachery of Images (French: La Trahison des images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3] It is on display at the Los Angeles County Museum of Art. [1] The painting shows an image of a pipe.
The list is full of examples of this art style and movement that were created by artists from all around the world. ... When it comes to painting styles, they range from realism to surrealism and ...
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
The title of the painting translates to English literally as Ongoing Time Stabbed by a Dagger, and Magritte was reportedly unhappy with the generally accepted translation of Time Transfixed. [3] Magritte hoped that James would hang the painting at the base of his staircase so that the train would "stab" guests on their way up to the ballroom.
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