Ad
related to: rene magritte surrealism paintings with titles and description of art and meaning
Search results
Results from the WOW.Com Content Network
The Museum of Modern Art; Gift of Richard S. Zeisler Oil on canvas 54 x 73.4 cm Literal Meaning II [42] 1929 Menil Collection (Houston. Tex.) Oil on canvas 73 x 54 cm Literal Meaning IV [43] 1929 Oil on canvas 73 x 54 cm Literal Meaning VI [44] 1929 Oil on canvas 54 x 73 cm The Treason of Images (This is not a Pipe) [45] 1929 Oil on canvas 55 x ...
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
Poe was one of Magritte's favorite authors and he made other references to the author in his work. For example, the title of the 1938 painting The Domain of Arnheim was taken from the 1847 Poe short story of the same name. [5] Magritte painted another portrait of Edward James titled The Pleasure Principle (1937). It depicts James from the front ...
The Human Condition (La condition humaine) is the title of four paintings by the Belgian surrealist René Magritte.One was completed in 1933 and is in the collection of the National Gallery of Art in Washington, D.C. [1] Another one was completed in 1935 and is part of the Simon Spierer Collection in Geneva, Switzerland. [2]
Magritte lived in a similar suburban environment, and dressed in a similar fashion. The bowler hat was a common feature of much of his work, and appears in paintings such as The Son of Man. Charly Herscovici, who was bequeathed copyright on the artist's works, commented on Golconda: Magritte was fascinated by the seductiveness of images.
The Empire of Light II (1950), oil on canvas, 79 x 99 cm. Museum of Modern Art, New York. Although Magritte had already completed a few versions by 1953, a retrospective at the 1954 Venice Biennale included a 1954 version (now in the Peggy Guggenheim Collection) that attracted several collectors with expectations of buying the painting.
The title of the painting translates to English literally as Ongoing Time Stabbed by a Dagger, and Magritte was reportedly unhappy with the generally accepted translation of Time Transfixed. [3] Magritte hoped that James would hang the painting at the base of his staircase so that the train would "stab" guests on their way up to the ballroom.
Ad
related to: rene magritte surrealism paintings with titles and description of art and meaning