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Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically ...
During the Ming Dynasty it came to be believed that developing talents eroded the morality of women, a notion which some educated women like Xu Yuan resisted. She broke with the societal expectations of a virtuous housewife and declared in her poetry that she would focus on her literary interests instead of domestic work.
Lin Zongsu (1878–1944) women's rights essayist; Ling Shuhua (1900–1990) modernist writer and painter; Lin Xue (Ming Dynasty) landscape painter, poet, calligrapher; Lin Yining (1655-c.1730) one of the original Banana Garden Poets; Liu Qingyun (c.1841-c.1900) playwright; Liu Rushi (1618–1664) singer, poet and writer; Liu Ying (born 1974 ...
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The following is a list of Poets who wrote or write much of their poetry in the languages of China This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The Southern Ming used a total of three era names, [4] which are listed below. Before the Ming dynasty, most emperors used multiple era names during their reigns. However, during the Hongwu Emperor's reign, a "one reign, one era name" (一世一元制) system was adopted, leading to the use of only one era name by later emperors. [5]
Bian Yujing (卞玉京) was a Yiji and painter in Qinhuai during the late Ming period. Born into an official family, the family hit hard times when her father died. Bian and her sister became singing girls to support themselves. Bian was adept at writing poetry, music, calligraphy and painting. [5] She exchanged poems with author and poet Qian ...
[16] [17] [18] While much of Wang's poetry dealt with the landscape, Tina Lu has argued that nature was only the secondary topic of her work, with the primary focus being a "landscape of nostalgia" that Wang used to express her identity as a traveller. [19] Her poetry appears in the Zhong Xiang Ci, an anthology of late Ming-early Qing female ...