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Eyetoaq married James Kingilik, also a soapstone sculptor, [2] in the early 1950s. [3] They had seven children, five biological and two adopted. [3] In 1968 they moved from their traditional Inuit camp at Beverly Lake to the Baker Lake settlement. [2] [3] After moving, they lived in a tent for two months due to a lack of housing. [3]
However the nature and functions of Inuit carvings changed rapidly after contact with European and European-Canadian society. This change accelerated after around 1949, when Inuit began settling into communities, and the Canadian government began to encourage a carving industry as a source of income for the Inuit. The art changed markedly from ...
Kiakshuk (1886 – May 3, 1966) was a Canadian Inuk artist who worked both in sculpture and printmaking. [1] Kiakshuk began printmaking in his seventies and, is most commonly praised for creating “real Eskimo pictures” that relate traditional Inuit life and mythology.
Modern Inuit art began in the late 1940s, when with the encouragement of the Canadian government they began to produce prints and serpentine sculptures for sale in the south. Greenlandic Inuit have a unique textile tradition intregrating skin-sewing, furs, and appliqué of small pieces of brightly dyed marine mammal organs in mosaic designs ...
Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
Inuit art first came to outside attention in the 1940s through printmaking and carving. It is known for the use of soapstone, such as for carvings and for making qulliq (Inuktitut syllabics: ᖁᓪᓕᖅ, seal oil lamps). Although power tools are used, soapstone carving is often preferably done by axe and file. Elders sharing maktaaq, 2002
Johnny Inukpuk began carving in the early 1950s while living on the land. James Houston, an artist, author and filmmaker who played an important role in promoting the recognition of Inuit artists, encouraged him to continue. [3] His themes are childrearing, domestic and hunting activities. [3]
Kenojuak Ashevak, CC ONu RCA (Inuktitut: ᕿᓐᓄᐊᔪᐊᖅ ᐋᓯᕙᒃ, Qinnuajuaq Aasivak) was a Canadian Inuk artist. She was born on October 3, 1927 at Camp Kerrasak on southern Baffin Island, and died on January 8, 2013 in Cape Dorset, Nunavut.