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William "Bill" G. Leavitt (October 4, 1926 – November 4, 1990) was an American jazz guitarist and arranger best known for his long series of guitar instruction books and for developing a related curriculum at Berklee College of Music as chair of the guitar department.
In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
Many guitarists have studied Bay's books. [3] Guitar Player magazine called him "the George Washington of the guitar". [6] Sales of his Modern Guitar Method series are estimated to be more than 20 million copies. Bay established the structure for modern guitar education and helped increase the popularity of guitar.
Maria Popova on Brainpickings.org named the book among "The Best Music Books of 2012." [2] In a review for The Wall Street Journal, Norman Doidge wrote ""Guitar Zero" is a refreshing alternation between the nitty-gritty details of learning rock-guitar licks and Mr. Marcus's survey of the relevant scientific literature on learning and the brain ...
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
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Numbers 102 to 110 were his dreadnoughts. From 112 to 115, are some of his most beautiful auditorium guitars and the only flat tops he made with a cutaway. Each is a radiant blond color. He used European spruce tops and European maple back and sides for all his flat tops. Ebony for the fret board, bridge, bridge pins, and headstock overlay.
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