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Many of the earliest parlour songs were transcriptions for voice and keyboard of other music. Thomas Moore's Irish Melodies, for instance, were traditional (or "folk") tunes supplied with new lyrics by Moore, and many arias from Italian operas, particularly those of Bellini and Donizetti, became parlour songs, with texts either translated or replaced by new lyrics.
The lyrics were written by Frank Lebby Stanton and published in his Songs of the Soil (1894). The tune was composed by Carrie Jacobs-Bond and published as part of Seven Songs as Unpretentious as the Wild Rose in 1901. Harry T. Burleigh also composed a tune (copyrighted in 1906), [1] but it never approached the popularity of the Jacobs-Bond tune.
May the Red Rose Live Alway!" had earned $8.12 in royalties over a seven-year period in his ledger. As a result, Foster concentrated more on minstrel songs, which returned ten times more than parlor songs. Foster did return to writing parlor songs in 1860, most notably "Beautiful Dreamer," published in 1864 just after the composer's death. [2]
This is a list of songs written by Stephen Foster (1826–1864) including those published posthumously. Foster may have written words and/or music for each song. Several of Foster's songs have alternate titles which are included in the "Title" column along with the original title. The original title is always given first.
This category contains songs that are Parlor music or Parlour music. Pages in category "Parlor songs" The following 17 pages are in this category, out of 17 total.
The Boston Academy of Music moves from education and sacred song into the cultivation of instrumental music by recognized European masters. [62] John Hill Hewitt and other composers of popular parlor songs begin adopting influences from Italian opera, bringing a "new source of grace and intensity, as well as a tone of accessible elevation. [63]
Bill Frisell recorded the song for his 2019 album Harmony. The song is performed by Petra Haden. Arlo Guthrie, Vanessa Bryan and Jim Wilson release a track of the song on July 31, 2020 (C) 2020 Rising Son Records & Jim Wilson [14] The Longest Johns released a recording of the song in 2021 as the first single of their 2022 album Smoke & Oakum.
The song was a hit record for Elsie Baker in 1912 (Victor B-12069). [9]It has since been recorded by numerous artists, including Sophie Braslau (1916), Dusolina Giannini (1926), Al Bowlly (1934), Bing Crosby (1934 and 1945), Erskine Hawkins (1942), Helen Traubel (1946), Jeanette MacDonald (1947), and as duets by Jo Stafford and Nelson Eddy (1951), and Pat and Shirley Boone (1962).