Search results
Results from the WOW.Com Content Network
After the Cuban Revolution in 1959, Pablo Hernández Balaguer (b. 1928) was teaching musicology at the Oriente University, an educational institution that offered the first Music Degree in the history of Cuba. Balaguer conducted an important study about the work of composer Esteban Salas and published the Music Catalog from the archives of the ...
During this period Cuban music became creolized, and its European and African origins gradually changed to become genuinely Cuban. Instrumentation and music continually developed during this period. The information listed here is in date order, and comes from whatever records survive to the present day.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
One of the main rhythmic fusions in Cuban music is the son. Other typical Cuban forms are the habanera, the guaracha, the danzón, the rumba, the bolero, the chachachá, the mambo, the punto, and many variations on these themes. [5] Cuban music has been immensely popular and influential in other countries.
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions. Recorded music was to be the conduit for Cuban music to reach the world. The most recorded artist in Cuba up to 1925 was a singer at the Alhambra, [1] Adolfo Colombo. Records show he recorded about ...
Very much like Alberto Falcón, Cuban pianist, composer and professor Joaquín Nin Castellanos (1879-1949) lived most of his life outside his motherland. He studied in Spain and in France at the Schola Cantorum, and lived in Germany for some years. After returning to Cuba in 1910 he moved to Brussels where he gave concerts and lectures.
Music portal Wikimedia Commons has media related to Composers from Cuba . This category is for articles about composers from the North American country of Cuba .