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Pera became the center of fashion and Paris fashions were followed by tailors of Greek and Armenian origin. In the period of Abdul Hamid II, the 'ferace' (a concealing outer robe shaped like a modestly cut version of the indoor dress) was replaced by 'çarşaf' of different styles. However, the rural sector continued to wear traditional clothing.
Tunics worn by the Celts were documented by the Greek historian Diodorus Siculus: [T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the ...
Dresses of a very similar style with a maidens neckline also exist, as do even smaller tunics for little girls, with simpler embroidery or reused panels. [ 31 ] The everyday dress of married women in the mid 20th century was called ikbīr nuwase'.
A loose shirt or tunic worn by Persian men and now esp. by Indians; a woman's dress resembling the man's kurta, popular in the West. According to Platt's A Dictionary of Urdu, Classical Hindi, and English, 1884, online, updated 2015, [13] Persian کرته kurta , s.m. A shirt worn outside the drawers; a frock, a kind of tunic; a waistcoat or ...
The angel wears iconographic dress. English ploughmen, c. 1000. Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period.
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [3] [4] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
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