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  2. Billy Breathes - Wikipedia

    en.wikipedia.org/wiki/Billy_Breathes

    With Billy Breathes, it's the closest they got to making what I would say is a good stoner album. You know what I mean: you put on the CD, you fire up a big one and you just go down that road. There hadn't been a good stoner record since Dark Side Of The Moon. Billy Breathes got close. I keep telling Trey Anastasio we can make a better one."

  3. Phish discography - Wikipedia

    en.wikipedia.org/wiki/Phish_discography

    Phish is an American rock band noted for their live concerts and improvisational jamming.Audience recordings of Phish's live shows have been traded among fans since the band's earliest days.

  4. Free (Phish song) - Wikipedia

    en.wikipedia.org/wiki/Free_(Phish_song)

    "Free" is a song by Vermont-based jam band Phish, released as the first single from their 1996 album Billy Breathes.The track reached number 7 on the Billboard Adult Alternative Airplay chart, becoming their first song to reach the top 10 on that (or any) chart. [1]

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  6. Record restoration - Wikipedia

    en.wikipedia.org/wiki/Record_restoration

    Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.

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  8. The Barn (recording studio) - Wikipedia

    en.wikipedia.org/wiki/The_Barn_(recording_studio)

    Bassist Mike Gordon of Phish at The Barn in 2014. The Barn, also known as the Farmhouse, is a recording studio, rehearsal space, and artists studio located on the property of Phish guitarist Trey Anastasio in the Green Mountains near Burlington, Vermont.

  9. Joy (Phish album) - Wikipedia

    en.wikipedia.org/wiki/Joy_(Phish_album)

    Joy received generally favorable reviews upon its release, with a 65/100 critic score on Metacritic, based on nine reviews. [8] The New York Times commented that "Steve Lillywhite’s clear and ungimmicky production makes Joy sound like the band members onstage responding to one another," [9] while Billboard simply stated "Joy is a journey not to be missed."