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The Piano Sonata in E minor, Hob. XVI/34, L. 53, was written in the late 1770s [1] by Joseph Haydn and published in London around 1783 by Beardmore & Birchall. [2]
Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).
The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger
XVI:28 Keyboard sonata No. 28 E ♭ major 1774–76 XVI:29 Keyboard sonata No. 29 F major c. 1774 XVI:30 Keyboard sonata No. 30 A major c. 1774–76 XVI:31 Keyboard sonata No. 31 E major c. 1774–76 XVI:32 Keyboard sonata No. 32 B minor 1774–76 XVI:33 Keyboard sonata No. 33: D major c. 1777 XVI:34 Keyboard sonata No. 34: E minor 1778 or ...
XVI/34, L. 53, in E minor, by Haydn Topics referred to by the same term This disambiguation page lists articles associated with the title Keyboard Sonata No. 34 .
Antonio Lucio Vivaldi [n 2] (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. [4] Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers.
Twelve Trio Sonatas, Op. 1. Twelve Trio Sonatas, Op. 1 is the first collection of musics composed by Antonio Vivaldi, and published by the Venetian publisher Giuseppe Sala in 1705, the first edition is believed to have been published around 1703.
[w] The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.