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Karl Malden (born Mladen George Sekulovich; March 22, 1912 – July 1, 2009) was an American stage, movie and television actor who first achieved acclaim in the original Broadway productions of Arthur Miller's All My Sons and Tennessee Williams' A Streetcar Named Desire in 1946 and 1947.
Hale had leading roles in RKO features including West of the Pecos (1945) with Robert Mitchum in his second star vehicle, Lady Luck (1946) — opposite Robert Young in what she described as her first "full stardom" and "her fifth A picture" — [5] [4] and The Window (1949). Hale left RKO in 1949 and was signed by Columbia Pictures.
Sir Charles Hallé (born Karl Halle; 11 April 1819 – 25 October 1895) was a Prussian and British pianist and conductor. In 1858, he founded the Hallé Orchestra . Life
Carl Held (born September 19, 1931), [1] sometimes credited as Karl Held and Christopher Held, is an American actor who has worked extensively in both American and British television. Career [ edit ]
The Gunfighter is a 1950 American Western film directed by Henry King and starring Gregory Peck, Helen Westcott, Millard Mitchell and Karl Malden.It was written by screenwriters William Bowers and William Sellers, with an uncredited rewrite by writer and producer Nunnally Johnson, from a story by Bowers, Roger Corman, and screenwriter and director Andre de Toth.
Hale's wife of over 30 years was Gretchen Hartman (1897–1979), a former child actress, silent film player, and mother of the couple's three children. [ 6 ] He was the father of actor Alan Hale Jr. , best known as " the Skipper " in the Gilligan's Island television series. [ 6 ]
Margaret Hale is the heroine of Elizabeth Gaskell's 1855 novel North and South. Initially, Gaskell wanted the title of the novel to be Margaret Hale , but Charles Dickens , the editor of Household Words , the magazine in which the novel was serialized, insisted on North and South .
The Rise of Dorothy Hale, written by Myra Bairstow, premiered off-Broadway at the St. Luke's Theater on September 30, 2007. [13] The play explores the life and death of Hale through the creative process of Frida Kahlo and questions whether Hale's death was a suicide or a murder. [14]