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Ech Goblin is likened to a goblin, a kind of sprite who transformed himself to frighten children. [3] Ch'qu'vau blanc is the same goblin, taking the form of a white animal. [2] A study of changelings notes that "at the water's edge, the silhouettes of the goblin and the horse tend to merge". [26]
Dokkaebi bangmangi (Korean: 도깨비 방망이; lit. The Goblins’ Club) is a Korean folktale that tells the story of a good woodcutter who comes into possession of goblin’s club and becomes rich, and an evil woodcutter who acts greedily and ends up getting punished.
Dokkaebi (Korean: 도깨비) are legendary creatures from Korean mythology and folklore. Dokkaebi, also known as "Korean goblins", [2] [3] are nature deities or spirits possessing extraordinary powers and abilities that are used to interact with humans, at times playing tricks on them and at times helping them. [4]
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Equitation – Art or practice of horse riding or horsemanship; Horse show – A judged exhibition of horses; Icelandic equitation – Form of horse riding traditional to Iceland; Jineteada gaucha – Traditional sport of Argentina and the Cono Sur; Mounted orienteering – Sport of orienteering while riding a horse; Pleasure riding – form of ...
A brag is a mischievous shapeshifting goblin in the folklore of Northumbria (Northumberland and Durham [1]) and often takes the form of a horse or donkey. [1] [2] [3] It is fond of letting unsuspecting humans ride on its back before bucking them off into a pond or bush and running away laughing. One notable example is the Picktree Brag that was ...
The each-uisge (Scottish Gaelic: [ɛxˈɯʃkʲə], literally "water horse") is a water spirit in Irish and Scottish folklore, spelled as the each-uisce (anglicized as aughisky or ech-ushkya) in Ireland and cabbyl-ushtey on the Isle of Man. It usually takes the form of a horse, and is similar to the kelpie but far more vicious.
Japan's Chihiro Akami, an example of a female jockey. The place of women in equestrianism has undergone significant societal evolution. Until the 20th century, in most Eurasian and North African countries, and later in North and South America, the horse was primarily a symbol of military and masculine prowess, associated with men for both warfare and daily labor.