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Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader.He was a regular performer at the Cotton Club in Harlem, where he became a popular vocalist of the swing era.
The Cab Calloway Orchestra, based at the exclusive Cotton Club in Harlem, was, for more than a decade, one of the most important jazz bands in America. Different lineups featured the best available established musicians.
Walter Purl "Foots" Thomas (February 10, 1907 – August 26, 1981) [1] was an American saxophonist, flutist, and arranger in Cab Calloway's orchestra, one of the most famous bands of the swing era in jazz.
"Minnie the Moocher" is a jazz song co-written by American musician Cab Calloway and first recorded in 1931 by Calloway and his big band orchestra, selling over a million copies. [1] "Minnie the Moocher" is famous for its nonsensical ad libbed lyrics, also known as scat singing (for example, its refrain of "Hi de hi de hi de ho").
The Jumpin' Jive") is a famous jazz/swing composition, written by Cab Calloway, Frank Froeba, and Jack Palmer. [1] Originally recorded on 17 July 1939, on Vocalion Records, it sold over a million copies and reached #2 on the Pop chart. [2] [1] [3] Calloway performs the song with his orchestra and the Nicholas Brothers in the 1943 musical film ...
Adelaide Hall, star of the Cotton Club Cab Calloway was another of the original Cotton Club performers. Ethel Waters starred at the Cotton Club Lena Horne as a young girl was featured at the Cotton Club. Dorothy Dandridge, entertainer at the Cotton Club. The Cotton Club was a 20th-century nightclub in New York City.
Members of the American big band the Cab Calloway Orchestra, originally known as the Missourians. Pages in category "The Cab Calloway Orchestra members" The following 31 pages are in this category, out of 31 total.
Daniel Moses Barker (January 13, 1909 – March 13, 1994) was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for Cab Calloway, Lucky Millinder and Benny Carter during the 1930s. One of Barker's earliest teachers in New Orleans was fellow banjoist Emanuel Sayles, with whom he recorded.