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The music video for "El Perdedor" was released on 20 January 2014 [5] on Iglesias' official VEVO channel on YouTube and has received over 1.0 billion views. [6] The video is directed by Jessy Terrero, who also directed the music videos of Enrique's previous hits "Dímelo" and "Cuando Me Enamoro".
"Experiencia Religiosa" (English: Religious Experience) is the second single released by Spanish singer-songwriter Enrique Iglesias from his eponymous debut studio album Enrique Iglesias (1995), It was released by Fonovisa on 11 December 1995 (see 1995 in music).
"Por Amarte" (English: To Love You) is the title of the third single released by Spanish singer-songwriter Enrique Iglesias from his eponymous debut studio album Enrique Iglesias (1995), It was released by Fonovisa on 8 January 1996 (see 1996 in music). [1]
Ecclesia Gnostica (Latin: The Church of Gnosis) is an open sacramental [citation needed] neo-Gnostic church based in the United States. It has ordained clergy and conducts regular sacramental services, including two weekly Masses (Celebration of the Holy Eucharist), as well as monthly and seasonal services in accordance with the liturgical calendar.
The original Ecclesia and Synagoga from the portal of Strasbourg Cathedral, now in the museum and replaced by replicas. Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue" (the order sometimes reversed), are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
"Observations on the Nea Ekklesia of Basil I". Jahrbuch der österreichischen Byzantinistik (37): 51– 64. ISSN 0378-8660. Mango, Cyril (1976). Byzantine architecture. New York. ISBN 0-8109-1004-7. {}: CS1 maint: location missing publisher ; Mango, Cyril (1986). The Art of the Byzantine Empire 312–1453: Sources and Documents. University of ...
It would have been difficult, however, for non-wealthy people outside the urban center of Athens to attend until reimbursements for attendance were introduced in the 390s. It originally met once every month, but later met three or four times per month. The agenda for the ekklesia was established by the Boule, the popular council. Votes were ...