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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Prince Diponegoro stands, defiant, in front of Lieutenant General Hendrik Merkus de Kock in front of the colonial officer's mansion. [1] He wears a green turban, white tabard over pantaloons, and a jacket; around his waist is a golden belt, to which prayer beads are attached, and over his shoulder is a shawl. [2]
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874.
1987: Award Biennale Seni Lukis Jakarta – Indonesia; 1989: Award Biennale Seni Lukis Jakarta – Indonesia; 1996: Silver Medal, The Osaka Triennale 1996. Japan; 1998: Mainichi Broadcasting System Prize, The Osaka Sculpture, Triennale 1998,
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Hendrik Hermanus Joel Ngantung (1 March 1927 – 12 December 1991), better known as Henk Ngantung was an Indonesian autodidact painter and politician of Minahasan descent. He was appointed Deputy Governor by President Sukarno and then briefly became the Governor of Jakarta of the minority between 1964 and 1965, the first Christian of the Catholic faith to hold this important post in ...
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
Ahmad Sadali (24 Juli 1924 – 19 September 1987) [1] comes from a family with diversified batik and printing businesses. He was an Indonesian painter and art lecturer who is well-known for his abstract art, especially Abstract expressionism, and Cubism [2] and Color field painting.