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  2. Bookman (typeface) - Wikipedia

    en.wikipedia.org/wiki/Bookman_(typeface)

    Bookman, or Bookman Old Style, is a serif typeface.A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text.

  3. GNU FreeFont - Wikipedia

    en.wikipedia.org/wiki/GNU_FreeFont

    GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.

  4. Rockwell (typeface) - Wikipedia

    en.wikipedia.org/wiki/Rockwell_(typeface)

    Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique. Rockwell is a geometric slab-serif with a monoline construction, with all of its strokes appearing to be roughly the same width and its capital O roughly circular.

  5. Source Han Sans - Wikipedia

    en.wikipedia.org/wiki/Source_Han_Sans

    Source Han Sans is a sans-serif gothic typeface family created by Adobe and Google.It is also released by Google under the Noto fonts project as Noto Sans CJK. [4] The family includes seven weights, and supports Traditional Chinese, Simplified Chinese, Japanese and Korean.

  6. Inconsolata - Wikipedia

    en.wikipedia.org/wiki/Inconsolata

    Inconsolata is an open-source font created by Raph Levien and released under the SIL Open Font License.It is a humanist lineal monospaced font designed for source code listing, terminal emulators, and similar uses.

  7. Emphasis (typography) - Wikipedia

    en.wikipedia.org/wiki/Emphasis_(typography)

    For multiple, nested levels of emphasis, the font is usually alternated back to (upright) roman script, or quotation marks are used instead, although some font families provide upright italics for a third visually distinct appearance. By contrast, a bold font weight makes letters of a text thicker than the surrounding text. [2]

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