Search results
Results from the WOW.Com Content Network
Devil Woman is a song written and recorded by American country music artist Marty Robbins. It was released in June 1962 as the first single and title track from the album Devil Woman . It was also Robbins' seventh single to reach number one on the country chart, spending eight weeks at the top spot. [ 1 ] "
Relief fragment of Mara in Gandhara style, found in Swat Valley The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves
Devil Woman may refer to: "Devil Woman" (Marty Robbins song) (1962) "Devil Woman", a 1970 song by Clarence Carter, written by George Jackson
She is the patroness of all feminine duties (children, cattle), patroness of all the economic activities ("God made the table, Māra made the bread"), even money and markets.
Mora or Mara is one of the spirits from ancient Slav mythology. Mara was a dark spirit that takes a form of a beautiful woman and then visits men in their dreams, torturing them with desire, and dragging life out of them. In Serbia, a mare is called mora, or noćnik/noćnica ("night creature", masculine and feminine respectively). [7]
The word mare comes (through Middle English mare) from the Old English feminine noun mære (which had numerous variant forms, including mare, mere, and mær). [2] Likewise are the forms in Old Norse/Icelandic mara [3] as well as the Old High German mara [5] (glossed in Latin as "incuba " [6]), [7] while the Middle High German forms are mar, mare, [8] [10]
An akuma (悪魔) is an evil spirit in Japanese folklore, [1] [2] sometimes described in English-language sources as a devil or demon. [2] [3] An alternative name for the akuma is ma (ま). [4] Akuma is the name assigned to Satan in Japanese Christianity, and the Mara in Japanese Buddhism.
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).