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Rorschach (Walter Joseph Kovacs) is a fictional antihero and one of the protagonists in the graphic novel limited series Watchmen, published by DC Comics in 1986. Rorschach was created by writer Alan Moore with artist Dave Gibbons; as with most of the main characters in the series, he was an analogue for a Charlton Comics character; in this case, Steve Ditko's the Question.
Location refers to how much of the inkblot was used to answer the question. Administrators score the response "W" if the whole inkblot was used to answer the question, "D" if a commonly described part of the blot was used, "Dd" if an uncommonly described or unusual detail was used, or "S" if the white space in the background was used.
A klecksograph by Justinus Kerner, published 1879. Klecksography is the art of making images from inkblots (German Tinten-Klecks). [1] The work was pioneered by Justinus Kerner, who included klecksographs in his books of poetry. [2]
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An episodic video game, Watchmen: The End Is Nigh, was released to coincide with the film's release. DC Comics published Before Watchmen , a series of nine prequel miniseries, in 2012, and Doomsday Clock , a 12-issue limited series and sequel to the original Watchmen series, from 2017 to 2019 – both without Moore's or Gibbons' involvement.
An ink blot test is a personality test that involves the evaluation of a subject's response to ambiguous ink blots. This test was published in 1921 by Swiss psychiatrist Hermann Rorschach . The interpretation of people's responses to the Rorschach Inkblot Test was originally based on psychoanalytical theory but investigators have used it in an ...
The Holtzman Inkblot Technique (HIT), also known as the Holtzman Inkblot Test, is an ink blot test aimed at detecting personality and was conceived by Wayne H. Holtzman and colleagues. It was first introduced in 1961 as a projective personality test similar to the Rorschach test. The HIT is a standardized measurement.
American cartoonist Scott McCloud argues that readers are more likely to identify with a simply-drawn "iconic" character than with a realistic-looking one.. Masking (or the masking effect) is a visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics: The Invisible Art.