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A thangka painter, Norbulingka Institute. Norbulingka is dedicated to handing down tradition and restoring standards by providing training, education and employment for Tibetans. It supports an environment in which Tibetan community and family values can flourish.
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
The metal thangka, whose durability and foldable concept was to serve travelling needs. The Papier-mâché thangka which is unique for the three-dimensional appearance of the central picture. The tshen drub ma, embroidered thangka which is typically executed in the far eastern part of Tibet and China for trade export. The woven thangka.
Empowering Communities Through Thangka Art: Beyond their aesthetic and spiritual value, Thangka paintings play a significant role in empowering communities in the Himalayan region. Many Thangka painting schools and cooperatives provide training and employment opportunities for local artists, particularly in rural areas.
Authored Thangka Textbooks based on Ancient Tradition. Providing Platform for teaching students and artists across ages and geographies. Training Materials customised and restructured like never before. With the help of the Technology, Designed Distant learning/Self Study Courses for the First Time.
The centre offers Introduction to Buddhism Courses and intermediate level courses for those who have already taken one of these introduction courses besides conducting Group Practice Retreats for practitioners of Tibetan Buddhism. [1] Due to the coronavirus pandemic, Tushita has moved to free online programmes since March 2020. [2]
The National Institute of Zorig Chusum [4] is the centre for Bhutanese Art education. Painting is the main theme of the institute, which provides 4–6 years of training in Bhutanese traditional art forms. The curricula cover a comprehensive course of drawing, painting, wood carving, embroidery, and carving of statues.
Bodhi Tree at the Mahabodhi Temple, Bodhgaya. The structures of the compositions symbolize the interconnectedness of the various figures and groupings. The figures of "Refuge" are depicted within the form of a tree diagram usually supported by three main structures: the branches of a stylised tree, a palace, or lotus flower and lion throne.