Search results
Results from the WOW.Com Content Network
UK funky (sometimes known as UKF or funky [1]) is a genre of electronic dance music which originated in England that is heavily influenced by soca, soulful house, tribal house, funky house, UK garage, broken beat and grime. [1]
Pages in category "UK funky albums" This category contains only the following page. This list may not reflect recent changes. P. Playin' Me
Close to Home was an American post-hardcore band from Cincinnati, Ohio, United States, that was formed in 2005.They have released two EPs (three mixed, one demo) and three full-length albums, Picture Perfect; their major label debut, Never Back Down, which was released on February 15, 2011; and their most recent effort, Momentum, which was released July 31, 2012 via Artery Recordings. [1]
Video albums by individual artists should not be put in this main category. Instead, they should be placed in their own subcategories of Category:Video albums by artist, under the format [[Category:(Artist name) video albums]]. The only video albums in this category should be compilation albums of many artists, or articles about series of video ...
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1]
Kyla Reid (née Smith; [1] born 22 September 1983) is a British house music singer in the UK funky subgenre. [1] [2] She is best known for the song "Do You Mind" which was later sampled in Drake's 2016 international hit "One Dance". [1]
Funky Matas (@funky) might be the only person in the world whose back is more recognizable than his face. But what else would you expect from the man who holds the world record for most signatures ...
Movement in Still Life ties These Hopeful Machines with the most singles BT ever released from one album, largely due to the differences between the UK and US versions. . Tracks like "Godspeed" and "Mercury and Solace" did well in the UK, but would not fare well on US radio, where "Never Gonna Come Back Down" and "Shame" performed well on American alternative rock sta