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The snares are a fundamental ingredient in the pressed (buzz) drum roll, as they help to blend together distinct strokes that are then perceived as a single, sustained sound. The snare drum is the first instrument to learn in preparing to play a full drum kit. Rudiments are sets of basic patterns often played on a snare drum. [4]
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
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A drum roll (or roll for short) is a technique used by percussionists to produce a sustained sound for the duration of a written note. [2]All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by ...
Musically, the snare drum section has the most rudimentarily challenging "book", or music. The instrument's role is that of the soprano line, typically carrying the melody or the main rhythm of the ensemble. Marching snare drums are deeper in size than snares normally used for orchestral or drum kit purposes. This gives the drum the big, full ...
The snare drum illustrates the three main ways in which a sound can be perceived as indeterminate in pitch: The sound may lack any fundamental frequency sufficiently loud to produce a sensation of pitch, for example a sound consisting of noise , or a mixture of sounds containing a great deal of such noise.
Samuel Potter's book, The Art of Beating the Drum from 1817 recommends that rudiments be played "until perfectly close," but there is no mention of opening them back up again. [6] It wasn't until 1862 that George Barrett Bruce recommended playing rudiments in the open, closed, open method. [ 7 ]
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