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GLENN MILLER'S 125 Jazz Breaks for Trombone. $1.00." [2] An ad for the sheet music also appeared in the 1928 Metronome, Volume 44, Page 42. The songbook contained the sheet music for 125 jazz breaks or improvisations for trombone with piano accompaniment in different keys. The Melrose Bros. Music Company was founded by Walter Melrose and Lester ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
The Trombone Sonata (manuscript) is one of the main subjects of a dissertation written in 2011 by Dr. Anthony Williams (music professor, University of Northern Iowa) on style and approach to four prominent 20th/21st Century jazz influenced, solo trombone works: Alec Wilder - Sonata for Trombone and Piano, Richard Peaslee - Arrows of Time, [5 ...
John Szwed notes that in "Black Bottom Stomp," "Morton practiced what he preached, managing to incorporate in one short piece the 'Spanish tinge,' stomps, breaks, stoptime, backbeat, two-beat, four-beat, a complete suspension of the rhythm section during the piano solo, riffs, rich variations of melody, and dynamics of volume, all of the elements of jazz as he understood it."
Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop .
The "sheets of sound" approach can be heard as early as the 1957 collaboration with Monk in solos like the one on "Trinkle, Tinkle" from the album Thelonious Monk with John Coltrane. [4] Coltrane's live performance of "If I Were a Bell" with the Miles Davis sextet on September 9, 1958, well exemplifies his use of the "sheets of sound" during ...
1920 78 release by the ODJB on Victor as 18717A. 1920 sheet music cover, Waterson, Berlin & Snyder, New York. 1927 Frankie Trumbauer, Bix Beiderbecke, and Eddie Lang version on Okeh, 40772-B. "Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young.
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