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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
Mendocino is the second album [6] by country rock group The Sir Douglas Quintet, released in April 1969 on Smash Records.The release of the album was expedited as the result of the success of the title song, which peaked at No. 27 on the Billboard Hot 100 chart during a fifteen-week stay in early 1969.
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
"Mendocino County Line" is a song written by Matt Serletic and Bernie Taupin, and recorded as a duet by American country music artists Willie Nelson and Lee Ann Womack. It was released in January 2002 as the lead-off single from Nelson's album The Great Divide. It was a Top 40 hit on the U.S. country chart, peaking at number 22.
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
The page currently talks about an "impending train wreck", but there's nothing in the lyrics to suggest this. The story is about the average man's struggles with life and its meaning in the industrialized world. Life in the industrialized world is too fast, hence the desperate need to "slow down".