Search results
Results from the WOW.Com Content Network
Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Guidonian hand, from 1274 Biblioteca Ambrosiana. Solmization is a mnemonic system in which a distinct syllable is attributed to each note of a musical scale.Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.
Easily Bach's best-known piece is the Solfeggietto, Wq. 117/2, to the point that the introduction to The Essential C. P. E. Bach is subtitled "Beyond the Solfeggio in C Minor". [29] Several of Bach's other miscellaneous keyboard works have gained fame, including the character piece La Caroline and the Fantasia in F-sharp minor, Wq. 67.
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
Download as PDF; Printable version; ... Jazz compositions originally or most commonly played in the key of C minor. Pages in category "Jazz compositions in C minor"
Original file (1,275 × 1,754 pixels, file size: 2.11 MB, MIME type: application/pdf, 3 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
No. 2 - Lento assai in A minor - "The Sea and the Seagulls" No. 3 - Allegro molto in F ♯ minor - "The Day of Wrath", a study targeting the weak fingers of the hand. No. 4 - Allegro assai in B minor - "Dying Birds", a fusion of a Hopak and a Gavotte which functions as a study on repeated notes. [3] [4] No. 5 - Appassionato in E ♭ minor, a ...