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Jawbox (1989–1997, first Dischord band to leave for major label in 1993) J. Robbins (2018-present) Joe Lally [28] Lungfish (1988–present) The Make-Up (1995–2000) Marginal Man (1982–1988) Medications (2003–) The Messthetics (2016–present) Minor Threat (1980–1983) Nation of Ulysses (1988–1992) Office of Future Plans (2009–2016 ...
The Al-Andalus Ensemble played both traditional Andalusian music and contemporary works, which draw much of their inspiration from the music of Arabo-Andalusian, Spanish Flamenco, Medieval Spanish, Ladino (Jewish-Spanish) melodies, North African and Arabic rhythms, as well as jazz, Classical, South Indian and Western classical music., [1] with vocals in Spanish, Arabic, Ladino and English [2 ...
Andalusians for the most part were also the protagonists of the so-called "minor or Andalusian voyages", [32] [33] [34] that ended the monopoly of Admiral Colón in the voyages to America. This is a period of splendor and great boom for the region, which becomes the richest and most cosmopolitan of Spain and one of the most influential regions ...
The scholars Avraham Elam-Amzallag and Edwin Seroussi further highlight the important role played by Jews in the history of Andalusi music, pointing out that not only have many important North African Andalusi musicians been Jews, but also Moroccan Jewish communities today in Israel preserve Andalusi melodies and even song texts in their ...
Andalusia (UK: / ˌ æ n d ə ˈ l uː s i ə,-z i ə / AN-də-LOO-see-ə, -zee-ə, US: /-ʒ (i) ə,-ʃ (i) ə /-zh(ee-)ə, -sh(ee-)ə; [6] [7] [8] Spanish: Andalucía [andaluˈθi.a] ⓘ, locally also) is the southernmost autonomous community in Peninsular Spain, located in the south of the Iberian Peninsula, in southwestern Europe.
The Andalusians (Spanish: andaluces) are the people of Andalusia, an autonomous community in southern Spain. Andalusia's statute of autonomy defines Andalusians as the Spanish citizens who reside in any of the municipalities of Andalusia, as well as those Spaniards who reside abroad and had their last Spanish residence in Andalusia, and their descendants. [7]
The degree to which the Christians and the Jews were tolerated by their Muslim rulers is a subject widely contested among historians. The history of Al-Andalus indicates that Muslims, Christians, and Jews who lived within Al-Andalus had relatively peaceful relations, with the exception of a few scattered revolts, and times of religious persecution.
The music for the anthem of Andalusia was composed by the former director of the municipal band of Sevilla, José del Castillo Díaz. The origins of the music are vaguely inspired on the Santo Dios, a religious cantic widely spread in rural Andalusia, usually sung by peasants while reaping their crops. It is believed that Blas Infante suggested ...