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"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 [5] and No. 41 in Canada. [6] "Roadhouse Blues" charted in its own right on the Cash Box Top 100, peaking at No. 76. [7]
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records.After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band.
It was recorded at the Boston Arena on April 10, 1970, during the band's Roadhouse Blues Tour. The band performed two shows, one starting at 7 pm and a second scheduled for 10 but not actually starting until past midnight. Jim Morrison appears to be intoxicated during the entire latter show, and continued drinking heavily throughout the ...
An American Prayer is the ninth and final studio album by the American rock band the Doors.Following the death of Jim Morrison and the band's breakup, the surviving members of the Doors reconvened to set several of Morrison's spoken word recordings to music. [6]
In 1972 Hole formed Dave Hole Blues Band with Upson and Al Kash on drums (ex-Blackfeather), the trio relocated to London and played in local pubs. [1] Hole returned to Perth in 1974, from that time for twenty years, he toured the Western Australian pub circuit with differing line-ups of Dave Hole Band. [ 1 ]
Live Alive Quo was the third live album by English rock band Status Quo and was broadcast live on BBC Radio 1 as part of the station's 25th Anniversary 'Party in the Park' celebrations in Birmingham, England.
"Hello, I Love You" is a song recorded by American rock band the Doors for their 1968 album Waiting for the Sun. Elektra Records released it as a single that same year, which topped the charts in the U.S. and Canada.
The lyrics also reference Redding's song "(Sittin' On) The Dock of the Bay."[7] Music critic Bart Testa found it ironic that this Doors song was extolling "The Dock of the Bay", which for Redding was a place of defeat and "where he wasted time having found the struggle for life useless", when earlier Doors songs such as "The End" and "When the Music's Over" call vehemently for revolution. [7]