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First Nations Australians have expressed their interpretations of traditional custodianship through academic writing, political advocacy, traditional stories, poetry and music. Numerous Aboriginal and Torres Strait Islander cultures share an understanding that, contrary to Western views on land ownership, the land "owns us".
Wagait Beach is a locality approximately 8 km west of Darwin, Northern Territory, Australia, on the opposite side of the harbour. It makes up the Wagait Shire local government area. The population was 422 in 2021. [2] Wagait Beach is on the north coast of the Cox Peninsula, which forms the western side of Darwin Harbour.
The Victorian Government advised that Welcomes are advised for major public events, forums and functions in locations where traditional owners have been formally recognised. A Welcome to Country can only be undertaken by an elder, formally recognised traditional owner [13] or custodian to welcome visitors to their traditional country. [6]
Misirlou" (Greek: Μισιρλού < Turkish: Mısırlı 'Egyptian' < Arabic: مصر Miṣr 'Egypt' [1]) is a folk song [2] from the Eastern Mediterranean region. The song's original author is unknown, but Arabic, Greek, and Jewish musicians were playing it by the 1920s. The earliest known recording of the song is a 1927 Greek rebetiko ...
Kwaito is a music genre that emerged in Johannesburg, South Africa, during the 1980s. [6] It is a variant of house music featuring the use of African sounds and samples. Typically at a slower tempo range than other styles of house music, Kwaito often contains catchy melodic and percussive loop samples, deep bass lines, and vocals.
Kalani Pe'a Merrie Monarch 2019. Popular music in Polynesia is a mixture of more traditional music made with indigenous instruments such as the nose flute in Tonga, and the distinctive wooden drums of the Rarotonga, and local artists creating music with contemporary instruments and rhythms, and also a blend of both.
Boeremusiek is a genre steeped in the history of Afrikaner identity and politics, but it also reflects the complex intersections of race, class, and culture in South African music. Its evolution from a hybrid form of folk music to a symbol of white Afrikaner nationalism complicates simple narratives about its origins and meanings.
The traditional music of the Federated States of Micronesia varies widely across the four states, and has, in recent times, ...