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  2. Tuplet - Wikipedia

    en.wikipedia.org/wiki/Tuplet

    In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...

  3. Bruckner rhythm - Wikipedia

    en.wikipedia.org/wiki/Bruckner_rhythm

    The Bruckner rhythm is a 2 + 3 (duplet + triplet) or 3 + 2 rhythm in Anton Bruckner's symphonic music, where it occurs prevalently, [1] [2] and in many different ways. [ 3 ] One example is in the main theme of the first movement of Symphony No. 4 , from bars 43 forward: [ 4 ]

  4. Tresillo (rhythm) - Wikipedia

    en.wikipedia.org/wiki/Tresillo_(rhythm)

    The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]

  5. Polyrhythm - Wikipedia

    en.wikipedia.org/wiki/Polyrhythm

    Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]

  6. Notes inégales - Wikipedia

    en.wikipedia.org/wiki/Notes_inégales

    Swung eighths written on the beat are generally read as a pair of triplet eighth-notes tied together, while notes written on off-beats are played as single triplet eighth notes. Therefore, the underlying rhythmic grid to most jazz music is an eighth note triplet pattern.

  7. Transformational theory - Wikipedia

    en.wikipedia.org/wiki/Transformational_theory

    Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory—which models musical transformations as elements of a mathematical group—can be used to analyze both tonal and atonal music.

  8. Rhyme scheme - Wikipedia

    en.wikipedia.org/wiki/Rhyme_scheme

    Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution ...

  9. Musical technique - Wikipedia

    en.wikipedia.org/wiki/Musical_technique

    Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre , articulation , and musical phrasing are nearly universal to all instruments.