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Archytas provided a rigorous proof that the basic musical intervals cannot be divided in half, or in other words, that there is no mean proportional between numbers in super-particular ratio (octave 2:1, fourth 4:3, fifth 3:2, 9:8). [12] [14] Archytas was also the first ancient Greek theorist to provide ratios for all 3 genera. [1]
The music of Greece is as diverse and celebrated as its history.Greek music separates into two parts: Greek traditional music and Byzantine music.These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. [1]
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t
Bolshevism was criticized by the Social Democrats. Thus, the famous Social Democrat Alexander Parvus wrote in 1918: [75] If Marxism is a reflection of the social history of Western Europe, refracted through the prism of German philosophy, then Bolshevism is Marxism, emasculated by amateurs and refracted through the prism of Russian ignorance.
Cultural Bolshevism (German: Kulturbolschewismus), sometimes referred to specifically as art Bolshevism, music Bolshevism or sexual Bolshevism, [1] was a term widely used by state-sponsored critics in Nazi Germany to denounce secularist, modernist and progressive cultural movements. The term is closely related to the Jewish Bolshevism ...
A Greek of the 18th century playing tambouras.. Greek folk music originally, predominantly contained one genre, known as Greek Demotiko (or Demotic/Paradosiako). This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. [1]
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The improvement effected in music by Thaletas appears to have consisted in the introduction into Sparta of that species of music and poetry which was associated with the religious rites of his native country; in which the calm and solemn worship of Apollo prevailed side by side with the more animated songs and dances of the Curetes, which resembled the Phrygian worship of the Magna Mater. [16]