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Neka se ovaj film zove po meni: Sasvim licno: À propos de Sarajevo: 2005: Back to Bosnia: Sabina Vajraca: Dobro ustimani mrtvaci: Go West: Comedy drama: Heroji za jedan dan: Ljubav na granici: Lost and Found: Prva plata: Ram za sliku moje domovine: 2006: Brod ludaka: Grbavica: Jasmila Žbanić: Golden Bear - Berlin Film Festival 2006 Kako smo ...
The film opens with a faux newsreel—presented as a sardonic allusion to the Yugoslav state-owned Filmske novosti [] news organization's tone and delivery—reporting on the 27 June 1971 opening ceremony of the Tunnel of Brotherhood and Unity near an unnamed village in the Goražde municipality in eastern SR Bosnia-Herzegovina, constituent unit of the Yugoslav Federation.
Most of the events the two main characters discuss in the play take place during the 1970's and 80's, and the earliest events described in the film take place in 1991. The entire subplot concerning the relationship between Luka's daughter and Teja is added in the film, in the play Luka has a son who is merely Teja's acquaintance.
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
The series is an international co-production involving Cobra Film, Radio Television of Serbia, Skopje Film Studio, Iskra, Radio Televizija Republike Srpske, Macedonian Radio Television, and the North Macedonia Film Agency. The first season was received very well by audience and critics alike, some controversy notwithstanding.
Partisan film (Serbo-Croatian: partizanski film / партизански филм) is the name for a subgenre of war films made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of Partisan films are that they are set in Yugoslavia during World War II and have Yugoslav Partisans as protagonists, while ...
The film's non-linear three-act structure was inspired by Aleksander Petrović's film Three (1965). [1] The film also contains allusions to Sergei Eisenstein , Andrei Tarkovsky , and others. For example, the scene where Aleksandar whistles " Raindrops Keep Fallin' on My Head " while riding his bicycle is a conspicuous nod to Butch Cassidy and ...
The film ranking website Rotten Tomatoes reported that 53% of critics had given the film positive reviews, based upon a sample of 58. [7] The website’s critics consensus reads, "It's burdened by a predictable, overly melodramatic story, but The Greatest benefits from strong performances by its talented cast."
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