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Dark academia is a literary aesthetic [1] [2] and subculture [3] concerned with higher education, the arts, and literature, or an idealised version thereof. The aesthetic centres on traditional educational clothing, interior design, activities such as writing and poetry , ancient art , and classic literature , as well as classical Greek and ...
Mixed media art can be differentiated into distinct types, [7] some of which are: Collage: This is an art form which involves combining different materials like ribbons, newspaper clippings, photographs etc. to create a new whole.
He approaches the motion picture as a series of distinct, but related domains of aesthetic manipulation: camera, image, editing, projection, screen, and sound. His construction of formalist motion pictures argues against a medium-specific definition and chooses a broad description of formal potentials instead.
Light academia is an aesthetic and subculture, [1] that emphasizes visually light aesthetics and positive themes, including optimism, joy, and friendship. [ 2 ] [ 3 ] Accordingly, light academia is often considered to be the visually and emotionally lighter counterpart to dark academia .
On the title page of the magazine Computers and Automation, January 1963, Edmund Berkeley published a picture by Efraim Arazi from 1962, coining for it the term "computer art." This picture inspired him to initiate the first Computer Art Contest in 1963. The annual contest was a key point in the development of computer art up to the year 1973 ...
The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi (c. 1455 – c. 1523), Giovanni Baglione (1566–1643), and Caravaggio (1571–1610), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro ...
When Avery went home, he turned on his Macintosh IIvx computer, created his first email account, typed his first email, and pushed send. “This was my first foray into computers,” Avery remembered.
Extreme Formalism is the view that all aesthetic properties of art are formal (that is, part of the art form). Philosophers almost universally reject this view and hold that the properties and aesthetics of art extend beyond materials, techniques, and form. [59] Unfortunately, there is little consensus on terminology for these informal properties.