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"Mrs. Potter's Lullaby" is a single by American rock band Counting Crows. It is the second track on their third album, This Desert Life (1999). The song reached number three on the US Billboard Adult Alternative Songs chart and number 16 on the Canadian RPM Top 30 Rock Report.
Song for Anyone is an album by jazz saxophonist Chris Potter released on the Sunnyside label in 2007. [1] It features Potter leading a ten piece ensemble of woodwinds, reeds & strings in a presentation of ten of his original compositions. It was produced by Potter’s former employer, bassist Dave Holland.
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Follow the Yellow Brick Road is a television play by Dennis Potter, first broadcast in 1972 as part of BBC Two's The Sextet series of eight plays featuring the same six actors. The play's central theme is of popular culture becoming the inheritor of religious scripture, which anticipated Potter's later serial Pennies from Heaven.
"A Hundred Pounds of Clay" is a song written by Kay Rogers, Luther Dixon, and Bob Elgin [1] and performed by Gene McDaniels. The song was produced by Snuff Garrett. [2] Earl Palmer played drums on the song. [3] The song appeared on McDaniels' 1961 album 100 Lbs. Of Clay! [4]
The song "Harry" was previously released as "Sami" for the web-series Little White Lie (2009), [5] and was later re-recorded for Darren Criss' Human EP [5] [11] and A Very StarKid Album, once again as "Sami." Darren Criss also re-recorded "Not Alone" for his Human EP [5] [11] and A Very StarKid Album.
"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
Redemption Songs is a collection of reinvented hymns and spiritual songs. As part of a church community that believed passionately the blessing of understanding the story of redemption through early church songs and ancient hymns, Jars of Clay found themselves a part of a growing renaissance, one that inspired them to write new songs using the rich hymn texts as the foundation.