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This is an accepted version of this page This is the latest accepted revision, reviewed on 25 December 2024. British record label The topic of this article may not meet Wikipedia's notability guidelines for companies and organizations. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage ...
Sinima Beats was founded in May 2005 and offers urban, rock, rnb, pop, dance, reggae, dubstep and soundtrack instrumentals through various independent music websites; primarily SoundClick. Sinima Beats began to license its music through the internet to aspiring artists, royalty-free.
The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
The Freesound Project was officially launched on April 5, 2005 in the context of the 2005 International Computer Music Conference. It is a project of the Music Technology Group of Universitat Pompeu Fabra, Barcelona. Frederic Font is heading the team responsible for developing and administrating the Freesound website. [2]
Music Sounds Description License Zapsplat: Yes Yes Sound effects library offering over 116,000 free sound effects and music. CC0 YourFreeSounds: Yes Yes Independent, unique sound library with royalty free & free sound effects - for video, sound design, music productions and more. CC0, CC BY Gfx Sounds: Yes Yes
The Free Music Philosophy [1] generally encourages creators to free music using whatever language or methods they wish. A Free Music Public License (FMPL) [2] is available for those who prefer a formal approach. Some free music is licensed under licenses that are intended for software (like the GPL) or other writings (the GFDL).
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Royalty-free standards do not include any "per-port" or "per-volume" charges or annual payments for the actual implementation of the standard, even though the text of the actual specification is typically protected by copyright and needs to be purchased from the standards body.
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