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  2. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  3. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  4. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    A major feature of the blues scale is the use of blue notesnotes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]

  5. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    Blue notes (in blue): ♭ 3, (♯ 4)/ ♭ 5, ♭ 7. The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1][2][3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting ...

  6. Freddie Freeloader - Wikipedia

    en.wikipedia.org/wiki/Freddie_Freeloader

    Freddie Freeloader. " Freddie Freeloader " is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ...

  7. Key to the Highway - Wikipedia

    en.wikipedia.org/wiki/Key_to_the_Highway

    Unknown (Segar credited on single) " Key to the Highway " is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard.

  8. List of blues standards - Wikipedia

    en.wikipedia.org/wiki/List_of_blues_standards

    Blues standards come from different eras and styles, such as ragtime - vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. [3] Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted:

  9. For You Blue - Wikipedia

    en.wikipedia.org/wiki/For_You_Blue

    "For You Blue" is a country blues song [3] [15] in the musical key of D. [16] Aside from the introduction, it is one of the few original songs by the Beatles in which every section follows the twelve-bar blues (I-IV-V) pattern. The five-bar introduction deviates from the pattern due to its length and the inclusion of what musicologist Alan ...

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