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Como la Flor" was the closing song on the Broadway musical Selena Forever (2000), starring Veronica Vasquez as Selena, [102] and in the Mexican musical Selena, El Musical (2006), which featured Lidia Ávila. [103] The recording is also the closing song of Selena ¡VIVE! (2005). [26]
Her six indie label albums— Selena y Los Dinos (1984), Alpha (1986), Muñequito de Trapo (1986), And the Winner Is... (1987), Preciosa (1988), and Dulce Amor (1988)—were released prior to signing a recording contract with EMI Latin, who billed Selena as a solo artist despite her Los Dinos band's involvement in her releases. [1] Most of ...
Baila Esta Cumbia. " Baila Esta Cumbia " (English: "Dance This Cumbia ") is a song recorded by American Tejano singer Selena for her second studio album, Ven Conmigo (1990). It was released as the second single by EMI Latin on August 28, 1990, behind "Ya Ves". It was composed by her brother–producer A.B. Quintanilla, and Selena y Los Dinos ...
The song was first popularized by Lucha Reyes, a Mexican singer who was born in Guadalajara and is often regarded as the "mother of ranchera music". [2] In the 1940s, Mexican singer Irma Vila recorded the song and sang it in the musical film Canta y no llores... (1949). [3] Her rendition was later remastered and released in the compilation ...
Angela Aguilar mixed old standards like ‘La Llorona’ and ‘La Basurita’ with Selena’s hit ‘Como La Flor’ during her performance Sunday night at ‘Jaripeo Sin Fronteras’ at the Save ...
It took a decade for A. B. Quintanilla (pictured) to write "Como la Flor", after conceptualizing the idea in 1982.. The recording of Entre a Mi Mundo transpired at the San Antonio studio owned by Tejano music producer Manny Guerra, with Brian "Red" Moore, Guerra's in-house music engineer, supervising the process as A. B. assumed the roles of producer and arranger, directing the operation. [14]
La Carcacha. " La Carcacha " (English: "The Jalopy") is a song recorded by American singer Selena for her third studio album, Entre a Mi Mundo (1992). The song was written by A.B. Quintanilla and Pete Astudillo. It was inspired by a dilapidated car and an experience in which A.B. observed a woman's willingness to court the owner of a luxury car.
Como la flor prometida (Like the promised flower) is the seventh studio album of the Spanish singer-songwriter Luz Casal, released in 1995 after a four-year hiatus due to the unexpected success of A Contraluz, her previous album. After thinking about her career, the performer returned to the recording studios in Madrid and London and apart from ...