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In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
The Viennese waltz is a rotary dance where the dancers are constantly turning either toward the leader's right (natural) or toward the leader's left (reverse), interspersed with non-rotating change steps to switch between the direction of rotation. As the waltz evolved, some of the versions that were done at about the original fast tempo came ...
The Valse Musette, a form of waltz popular in France, started in the late 19th century. [citation needed] The cross-step waltz (French Valse Boston) developed in France in the early 20th century and is popular in social waltz groups today. [citation needed] In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 ...
The Mephisto Waltzes (German: Mephisto-Walzer) are four waltzes composed by Franz Liszt from 1859 to 1862, from 1880 to 1881, and in 1883 and 1885. Nos. 1 and 2 were composed for orchestra, and later arranged for piano, piano duet and two pianos, whereas nos. 3 and 4 were written for piano only. Of the four, the first is the most popular and ...
Kaiser-Walzer, Op. 437 (Emperor Waltz) is a waltz composed by Johann Strauss II in 1889. The waltz was originally titled Hand in Hand and was intended as a toast made in August of that year by Emperor of Austria Franz Joseph I on the occasion of his visit to the German Emperor Wilhelm II where it was symbolic as a 'toast of friendship' extended by Austria-Hungary to the German Empire.
Eduard Hanslick. Published. 1866. (1866) Scoring. piano four-hands. piano. Sixteen Waltzes (German; Sechzehn Walzer), Op. 39, is a set of 16 short waltzes for piano written by Johannes Brahms. They were composed in 1865, and published in 1866, dedicated to the music critic Eduard Hanslick.
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.
Frédéric Chopin’s waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They adhere to 3/4 waltz time but differ from earlier Viennese waltzes in not being intended for dancing. Some are accessible by pianists of modest capability, others require advanced technique. Chopin may have written as many as 36 piano ...