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Peruvian waltz. The vals criollo (English: Creole waltz), or Peruvian waltz (Spanish: vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of ...
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with (Spanish) lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
Website. www.evaayllon.com.pe. Eva María Angélica Ayllón Urbina (born February 7, 1956), better known by her stage name Eva Ayllón, is a female composer and singer, one of Peru 's foremost Afro-Peruvian musicians, and one of the country's most enduring living legends. She held the record for most nominations without a winning the Latin ...
El Vals Criollo (Vals peruano) is a subgenre and musical adaptation of the original European waltz, originated in Peru or also called a genre of Afro-Peruvian Creole music. Huaconada (Wanka) is a ritual dance that is represented in the town of Mito, Concepción Province , Junín Region , located in the Central Andes of Peru.
At 16 years old, Maceda first started experimenting with guitars and the vals criollo genre. In 1954, Maceda, along with Juan Jiron and Juan Ruiz, formed "Los Ruiseñores." In 1955, Paco Maceda teamed up with Luis Abanto Morales to write the hit song "Nunca Podran." Genaro Ganoza Torres, co-founder of Los Kipus, was born on July 10, 1931.
Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Granda composed "El puente de los suspiros" in 1960 in homage to a famous wooden bridge over a ravine in the seaside Barranco District of Lima. [1] The lyrics describe a little bridge hidden between foliage, a sleeping bridge between the murmur of love and embraced by memories, a place of pleasant silence. The song goes on to compare the bridge ...
t. e. Peruvian music is an amalgamation of sounds and styles drawing on Peru 's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the ...