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This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: changed colour, changed exposure. The original can be viewed here: Crucifixion by Rembrandt (1631, S.Vincent du Mas-d'Agenais).jpg: . Modifications made by Jan Arkesteijn.
Christ on the Cross is a 1631 oil-on-canvas painting by Rembrandt, now in the Église Saint-Vincent in the French town of Le Mas-d'Agenais, Lot-et-Garonne. The inventory of Catharina Elisabeth Bode was made in Delft on 27 October 1703—she was the widow of Valerius Röver. It mentions "a piece of painterly invention [titled] Christ on the ...
[94] The Head of Christ is venerated in the Coptic Orthodox Church, [95] after twelve-year-old Isaac Ayoub, who diagnosed with cancer, saw the eyes of Jesus in the painting shedding tears; Fr. Ishaq Soliman of St. Mark's Coptic Church in Houston, on the same day, "testified to the miracles" and on the next day, "Dr. Atef Rizkalla, the family ...
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
Christ on the Cross, a 1620 painting by Peter Paul Rubens; Christ on the Cross, a 1631 painting by Rembrandt; Christ on the Cross, any of a set of four paintings (c. 1760–1770) by Bartolomé Esteban Murillo; Christ on the Cross, an 1835 painting by Eugène Delacroix; Christ on the Cross, a 1782 painting by Jacques-Louis David
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The ...
The jar holds ointment for Christ’s feet. [5] On the right, Veronica is depicted holding the cloth is believed to wipe the face of Christ when he was carrying the cross to his crucifixion. [5] Her veil has an image of Jesus’s face painted in an idealistic style and is thought to have magically appeared as she displays it for the viewer.
The man in the centre, wearing a light blue coat, has the features and the familiar blue cap of the painter. Two other men, in shadow to the right, support the Cross from the back. Behind this group is the Roman centurion on a grey horse; he wears a rich Eastern dress, consisting of a light turban, a coat of gold brocade with a sash, and a deep ...
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