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Eyes on the Prize: America's Civil Rights Movement is an American television series and 14-part documentary about the 20th-century civil rights movement in the United States. [1] The documentary originally aired on the PBS network, and it also aired in the United Kingdom on BBC2 .
External videos "Eyes on the Prize; Interview with William O'Neal" conducted by Blackside for Eyes on the Prize II.O'Neal discusses being recruited to be an informant for the FBI in Chicago, joining the Black Panthers, and giving the FBI information about the Black Panthers' activities and Fred Hampton.
Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow ," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
Henry Eugene Hampton Jr. (8 January 1940 – 22 November 1998) was an American filmmaker.His production company, Blackside, Inc., produced over 80 programs—the most recognizable being the documentary Eyes on the Prize, which won six Emmy Awards, the Peabody Award, and was nominated for an Oscar.
Kaylee could have kept her eyes on the prize, but in an inspiring display of sportsmanship, she made an unselfish decision to stop and help. “I was overwhelmed with emotions,” said Robert ...
The last eight parts of the 14-part Eyes on the Prize miniseries were a rebroadcast of the production originally shown during 1990 on PBS. It was shown as a special presentation of American Experience during February in observance of Black History Month. [1]
Eyes on the Prize is an American documentary film about the Civil Rights Movement. Eyes on the Prize may refer to: Eyes on the Prize, a 2003 album by the hip hop group 3 The Hard Way "Eyes on the Prize", a 1994 episode of the American animated series The Critic "Keep Your Eyes on the Prize", an American folk song
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
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