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Renaissance humanism was also a turning point for the Italian theatre. The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle 's Poetics , also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca 's tragedies, but ...
Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. [ 4 ] [ 5 ] It was formerly called Italian comedy in English and is also known as commedia alla maschera , commedia improvviso , and commedia dell'arte all'improvviso . [ 6 ]
Tirelli Costumi Roma is a Rome-based costume house, which makes and supplies period costumes to motion picture productions. It has been sited, along with Costumi d'Arte and Peruzzi, as one of the best resources for 18th-century costumes.
Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social status and background. Pantalone typically wore tight red pants and a matching shirt, a long black cape, black or red pointed shoes, and a belt that had a purse attached. Pantalone also ...
The Teatro Olimpico is the last work by Palladio, and ranks amongst his highest masterworks. The Vicentine architect had returned to his native city in 1579, bringing with him a lifetime of detailed study into all aspects of ancient Roman architecture, and a more detailed understanding of the architecture of classical theatre than any other living person.
The building of new theaters during the Renaissance came from the attempts of rich scholars to rediscover the classical theatre of Greece and Rome. [3] Some theaters were built in the homes of the lesser gentry in Italy while some were built in public spaces such as apothecary shops and local inns. Other public places that were commonly used ...
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By the 1920s, the company's costumes were being used extensively in film productions, as well as in regional productions. Giuseppe Peruzzi, the grandson of Egisto, opened a branch of Costumi d'Arte Perruzi in Rome to work more cohesively with studios like Cinecittà .
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